Thorne Jack
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Wypożyczalnia
Są egzemplarze dostępne do wypożyczenia: sygn. 82-93 (2 egz.)
Filia nr 1
Są egzemplarze dostępne do wypożyczenia: sygn. III (1 egz.)
Filia nr 2
Są egzemplarze dostępne do wypożyczenia: sygn. III (1 egz.)
urlop pracownika
Filia nr 3
Są egzemplarze dostępne do wypożyczenia: sygn. III (1 egz.)
Filia nr 4
Są egzemplarze dostępne do wypożyczenia: sygn. III (1 egz.)
Filia nr 5
Są egzemplarze dostępne do wypożyczenia: sygn. III (1 egz.)
Filia nr 7
Są egzemplarze dostępne do wypożyczenia: sygn. III (1 egz.)
Oddział dla dzieci
Są egzemplarze dostępne do wypożyczenia: sygn. III (1 egz.)
E-book
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Autor
Forma i typ
After the breakout success of his early work for stage and screen, Jack Thorne turned for inspiration to his own family for a series of plays about hope, idealism, and domestic politics. The work in this collection – five full-length plays and two shorts – showcases his extraordinary ability to combine electrifying dialogue with heartfelt warmth, candour, and humour. Hope (Royal Court Theatre, 2014) is a funny and scathing fable about the leaders of a local council faced with savage funding cuts. 'A surprisingly entertaining state-of-the-nation drama' - The Stage The Solid Life of Sugar Water (Graeae/Theatre Royal Plymouth, 2015) is an intimate, tender play about loss, hurt, and rediscovery. 'Startlingly good… an adult play in the very best sense' - The Times Junkyard (Headlong, 2017) is a joyful celebration of imaginative play, a musical drama about a group of young people tasked with building a playground out of junk. 'Genuinely funny and poignant' - WhatsOnStage the end of history… (Royal Court, 2019) is a moving and sophisticated portrait of the impact of political idealism on a family. 'Clever and highly intriguing' - Independent Also included are Burying Your Brother in the Pavement, written for the National Theatre Connections Festival in 2008, which tackles complex themes of grief, violence, and sexuality with fierce compassion and wild imagination; and two short plays: Whiff Whaff and Boo. 'I think these plays are about love, about heroes, about trying to understand how to be heroic, about trying to understand how to lead a good life' - Jack Thorne, from his Introduction 'Jack Thorne is Britain's hottest playwright and screenwriter' - The Times 'Jack Thorne never ceases to stimulate and entertain' - Evening Standard 'Thorne is a writer of immense emotional intelligence and his dialogue regularly devastates' - The Stage
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'Who'd want to join in building a fucking playground.'It's 1979, rubbish is on the streets of Bristol, and it's tricky being Fiz. She's thirteen, she's got no money, her sister's pregnant and her mum thinks she's a waste of space...Rick remembers what it's like to be a teenager. So he thinks it won't take much to get a bunch of kids to help him build a playground out of junk.He's wrong. It takes everything he's got. But when it's finished, it's going to be something. It's going to be everything...Jack Thorne's honest and witty Junkyard, with music by Stephen Warbeck, premiered in 2017 in a co-production between Headlong, Bristol Old Vic, Rose Theatre Kingston and Theatr Clwyd, and directed by Jeremy Herrin.'A touching tale… an engagingly ramshackle musical' - The Times'A joyful musical for school misfits... left me smiling throughout as it celebrates the right of children and young people to turn their individual lives into an adventure through physical and imaginative play' - Guardian'A heartfelt new musical... energetic and fun... like Jacqueline Wilson meets Skins' - The Stage
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Best Play - Evening Standard Awards - 2023 1964: Richard Burton, the firebrand Welsh actor, newly married to movie star Elizabeth Taylor, is to play the title role in an experimental new production of Hamlet under the exacting direction of John Gielgud. But as rehearsals progress, the collaboration between actor and director soon threatens to unravel. One of them is the most famous movie star in the world; the other, a patrician from an earlier age of theatre. The stage is set for two titans to collide. Jack Thorne's The Motive and the Cue is a fierce, funny play which offers a glimpse into the politics of a rehearsal room and the relationship between art and celebrity. This edition was published alongside the West End transfer in 2023, following its world premiere at the National Theatre, London, earlier that year. Originally commissioned and co-produced by Neal Street Productions, it was directed by Sam Mendes, and starred Johnny Flynn as Burton, Mark Gatiss as Gielgud and Tuppence Middleton as Taylor. It was named Best Play at the Evening Standard Theatre Awards in 2023. 'Marvellous… a quite wonderful new play… full of compassion, funny, witty and utterly compelling… This play is Thorne and Mendes's own love letter to the stage, full of both intellect and passion, clever and profoundly moving' - WhatsOnStage 'Enjoyable and hugely adroit' - Evening Standard 'Witty, deft, and touching… a palpable hit' - Telegraph 'Magical… deeply affecting… not just a heartfelt plea for the power of theatre, but a moving, often very funny, story about two generations teasing and provoking one another' - Independent 'Fascinating… a dual of egos in which not just the play, but the two men's sense of their selves is at stake' - The Stage
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In May 1926, Britain grinds to a halt, as workers down tools for the General Strike. With the printing presses shut down, the only sources of news are the government's British Gazette, edited by Chancellor of the Exchequer Winston Churchill, and the independent, fledgling British Broadcasting Company, led by John Reith. The stage is set for a fierce battle over control of the news and who gets to define the truth. Jack Thorne's play When Winston Went To War With The Wireless is a gripping play about the birth of a great British institution and its efforts to stay impartial. It premiered at the Donmar Warehouse, London, in June 2023, directed by Katy Rudd, with Stephen Campbell Moore as Reith, Adrian Scarborough as Churchill, and Haydn Gwynne as Stanley Baldwin. 'Jack Thorne never ceases to stimulate and entertain' - Evening Standard
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